LE DÉSORDRE [AABA#14], by Anton Mobin & Le Syndicat

LE DÉSORDRE [AABA#14]

by Anton Mobin & Le Syndicat

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LE DÉSORDRE [AABA#14] comes in a limited physical version:
Edition of 50 copies on a C40 clear cassette stamp-sided, in a clear box, pro-dubbed.

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1.	A1. Questions 03:34	buy track
2.	A2. Triste 07:02	buy track
3.	A3. A cran 03:43	buy track
4.	A4. Bazz 05:18	buy track
5.	B1. Spinner 04:36	buy track
6.	B2. Dentaire 11:02	buy track
7.	B3. Dark Microbe 03:38	buy track

about

LE DÉSORDRE
Anton Mobin & Le Syndicat

Middle Eight Recordings, 2019
AABA#14 / 50 copies

Enregistré à la Ferme Ta Gueule, Olivet, Fr, le 28 & 29 novembre 2018.
Mixage par Anton Mobin

Anton Mobin : chambre préparée, endless tape
Ruelgo : interfaces digitales, microphone, tapes

LE SYNDICAT
www.discogs.com/fr/artist/76952-Le-Syndicat
le-syndicat-mmx.bandcamp.com

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Le Syndicat est un label et une association d'artistes fondé en 1982, à Paris. Dans les années 80, le label LE SYNDICAT produisait des cassettes audio. Le label a édité en dehors de sa propre production sonore, des artistes comme Merzbow, Controlled Bleeding, Dog As Master, Pacific 231...
Le Syndicat a continué a produire de la musique lorsque son label a cessé ses activités en 1988 en étant édité par d'autres labels à travers le monde. Il existe aujourd'hui, une cinquantaine de réalisations officielles du groupe sous forme de CD's, Vinyles et cassettes. Ruelgo, le seul membre fondateur du Syndicat encore en activité a collaboré au fil du temps avec de nombreux autres musiciens pour de la production musicale en studio et des actions en concert. Entre 2010 et 2012, la version live du Syndicat, Le Syndicat MMX, composée de 3 membres, s'est produite 12 fois à travers l'Europe pendant que la version studio du groupe était éditée par le label Rotorelief en France. Depuis 2014, la version live du groupe, composée de Saphi et Ruelgo a joué une dizaine de fois en concert et à été édité par le label Aussaat sous la forme d'un compact disc et d'un vinyle enregistré en live. Depuis 2012, Ruelgo et l'artiste Anton Mobin ont formé un duo de musique improvisée se nommant « Le Désordre ».

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Review on NOISE NOT MUSIC

noisenotmusic.com/2019/08/20/review-anton-mobin-le-syndicat-le-desordre-middle-eight-recordings-aug-1/

French sound artist Anton Mobin’s primary approach to music-making is a distinct and memorable one; he (at least, most notably) improvises within a given space called a “prepared room,” in which modified instruments, trivial objects, and other materials are amplified by electroacoustic transducers and guitar pickups, providing himself with a freedom not often found in even the most extended uses of traditional instruments. Le Désordre is the latest document on Mobin’s label Middle Eight, which is dedicated to releasing his own various solo and collaborative endeavors, and presents a cacophonous interaction with Jean-Marie Onni, a.k.a. Ruelgo, from the long-running collective Le Syndicat. The recordings are hulking and rust-covered, with both participants using magnetic tape to exert control over a mass of industrial-strength bangs and clangs. The woozy, uneasy presence of the tape manipulations, along with Onni’s contributions via digital interfaces, provides an excellent contrast to the metallic din, sometimes tempering the noise with spectral treatments or high-speed dragging, other times melding in uncanny harmony with the clatter—like on “Bazz,” when Mobin’s rattling of an unknown object is accompanied by moisture-saturated fast forwarding and an array of diminutive glitch textures. The two artists’ creations are fast-paced and never stay in the same place for long, but they never fail to craft an amazingly detailed amalgam of sounds, even in the briefest of vignettes.

credits

released August 1, 2019

Artwork by Anton Mobin

Co-production Le Désordre (since 2014)
Middle Eight Recordings, 2019
Le Syndicat (1982-2019)

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about

MIDDLE EIGHT RECORDINGS France

Based in France, Middle Eight Recordings is an audio-centric micro label founded and run by Anton Mobin since 2016. It focuses on Anton's work around instrument building and free improvisation and gathered numerous collaborations with international artists as well solo works and research on new instruments and different practice to make sound. ... more

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